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Peelin Orange Page 3
Peelin Orange Read online
Page 3
i live in a castle
with very thick walls
and the drawbridge drawn
up tight
THE REASSURANCE
When, my sweet,
the man taps out
a peephole in his crown,
that hole into the pit’s
for peering down.
But watch! – the dark forms
floundering, flapping,
slithering,
have not dethroned
the previous person
you have owned;
the person still
is what the person seems;
no pressing need to shrink
from fictive monsters
flailing at your dreams.
Bask in the present minutes:
he
uncorked by patient love
pours tonic constancy
(though pits brood fearful
since that foetid day
another man, your father,
slipped away).
Drink: and accept
the offered peephole in the mind.
You must not shrink,
no matter how the shadows thrash
or crawl.
Pull away, or blink,
and you will never
own him
all.
TOGETHERNESS
I
Lying in the dark together
we
in wordless dialogue
defined community.
II
You switch the light on to inspect
an alien remark.
And now your body stutters.
No more lying in the dark.
A VOYAGE
‘Beware, beware their evil song:
they eat your flesh,
they bleach your bones,
you won’t last long.’
His vessel neared an island.
Shimmering calm. Air still.
Enthralling song
across the green sea floating
paralysed his will.
O heaven within his reach,
he felt. And swam for shore.
His fortune waited, lolling on the beach.
WOMANSONG
i am sinking
do you care
i am drowning
over here
throw a lifeline
out for me
drag my body
from the sea
i am dying
can’t you see
that girl lying
there is me
lying dying
here on shore
i don’t know you
anymore
CRITIC
Questions about meaning
really concern you now
whose deconstruction, exquisite
unravelling, terrorised.
You were in control.
Did you misread her eyes
when, leafing through a magazine
in bed, she glanced your way?
Unstable text, your wife
has broken up the game.
Now she has left you, academic
reading doesn’t seem the same.
VERSION
‘A marvellous otaheite
dark and sweet,’
the Lord said. ‘Eat;
and every time you go to it
the apple will be whole.’
Adam loved the apple
heart and soul
until he fancied
on another tree
another apple, dark
(and sweet, presumably).
He checked it.
he enjoyed the change,
the pleasure of the new fruit
succulent and strange.
Eventually remembering
his sweet original,
he turned again and found
a change more radical:
he bit it, and a huge hole gaped:
the thing had lost its power:
his luscious apple now
was withering and sour.
WORKSHOP
he casually decodes
her scrambled mews
the cat is reading
heat
miaow implodes
a molotov
well mixed
o she will have him
she will have him
fixed
SHORT STORY
I
How carefully they walk
together, hardly ever touching.
Neither he nor she is rushing
into anything.
But something’s going on
beneath the easy talk
of books & family & friends.
Read on.
II
They’re in a private place
together, searching
through the story, getting to know
the characters, intertwining
themes, discretion & desire,
exploring conflict, complication,
restructuring lives
in the imagination.
III
Goodbye. ‘Let’s keep in touch,’
they say, without conviction.
They hug each other warmly, and depart.
But each has nestled in the other’s art,
so it’s another story in the fiction.
MEMENTO
a wrinkled head
carved sideways
on a hump
a wooden figure
old as sin
it fell from me
& the old man
broke his neck
i left the pieces
in the garbage
at the railway station
RIDING HOOD: VERSION
he seemed a proper granny
till she grasped the truth –
beneath the pretty bonnet
lay a well-hung youth
working up a story
that he wanted read
with the happy ending
of her maidenhead
ENDGAME
She knew
the risk
but played
the fool
just entering
his eyes
then trying
to run away.
Too late.
Checkmate.
CASANOVA
Flaunting his gym-toned pectorals,
washboard stomach, fashion-
conscious locks, he worked the image
of philanderer, every woman’s
fantasy or threat.
But something tremulous inside
his gravelly baritone exposed
a small boy quivering in the dark,
his mother dead, his father gone away,
groping for explanations.
HAPPY HOUR
her laughter quivers
like a flimsy bridge
before it breaks
her laughter covers up
a hole
and sharpened stakes
but the detested animal
is potent still it seems
the prepossessing monster
dominates her dreams
MOMENT OF TRUTH
as both were
always listening
for what was being said
inside civilities
the genial courtesies
did not drown out
their body language
whispering exchange
and they maintained the dialogue
sotto voce many months
until the clash of glances
the electrifying flash
PEACETIME
bomb-disposal
combed the area
& declared it clean
but love i cannot
guarantee
safe conduct
through the rubble
of my dreams –
i’ve read
too many
people
blown to bits
by land mines
lying silent
in the dust
long after
all those bells
& all that joy
long after solemn treaties
had been signed & sealed
SNAPSHOT
i press your eyes
and study the exposure
in my head
i have you
sagging in a rumpled bed
(don’t go don’t go)
one snapshot
in the miles & miles
of undeveloped
yesterdays
(shutter your gaze)
A MEMORY
Not a cloud in sight:
day calm and bright:
cliché tranquillity.
Out of the blue she floated in,
a memory,
playing her enigmatic grin
(whose legend reads ‘At last, at last’
but is re-written fast
as you move in):
nostalgic, but embarrassing.
I mumbled ‘Hi’ and moved away.
A ghost I’ll never lay.
PANTOMIME
She smiled and smiled and seemed to be
the genial friend, the keen collaborator
until the transformation scene; then she
became a block of stone, a champion hater.
PERSEPHONE
i sleep & wake
& see the dream again –
the spectre
of my youthful paramour
my profiling adonis
begging to be gored
my faithless lover cruising
at the cemetery gate
NIGHT FLIGHT
He’s off into the night
alone, the lucky devil –
no one hanging on his tail
to keep him out of trouble.
He flaps his wings
in the uncaged air
and, floating on the night,
is gliding everywhere,
is revelling in flight –
until he feels
the fish-hook in the flesh,
the line tugged tight.
DIALOGUE FOR DANCERS
for the NDTC
I
at home on stage
his wife the martyr
bleeds
II
the other woman
wraps a sensuous leg
III
torn
between
his clinging wife’s
domestic harmonies
the open breakfast face
and that sleek wanton queen
the red rose in her hair
his wanting body
writhes
PARLOUR GAME
Antennae register
enticement, picking up
glances and the enigmatic
smile.
Superfly is tripping
into trouble, visioning
himself entangled
in her script.
STORYBOARD
Love gave her eyes:
the tough man snatched,
locked them up tight.
Love gave her hand:
the tough man tickled it
early one night.
Love gave her tongue:
the tough man found
it tasted right.
Love gave her body:
the tough man smiled,
switched off the light.
Love gave her heart:
the tough man tensed,
ready for flight.
REUNION
long long ago
we heard the eyes
vote no
not here
not yet
not ever
but the whirligig
of time
has brought us round
years after
that brief pantomime
and we are playing
new games now
acknowledging the strain
of lust inside our laughter
AN OFFERING
In love, and reverently inclined,
I bear the lesions of my mind.
But from your eyes the message is
that I must do the bandages
again, swaddle my wounds.
Such prophylactic fear impugns
my gift. Unwrap my injuries.
FAMILY PICTURES
In spite of love
desire to be alone
haunts him like prophecy.
Observe: the baby chuckles,
gurgles his delight
that daddy-man is handy,
to be stared at, clawed at,
spitted-up upon;
the baby’s elder brother
laughs, or hugs, and nags
for popcorn or a pencil
or a trip.
And see: the frazzled wife
who jealously
protects the idol infant
from the smallest chance
of harm, and anxious
in the middle of the night
wakes up to coughs; and checks,
and loves, and screams
her nerves; but loves him
patient still: the wife
who sweets the bigger boy
and teases him through homework,
bright as play.
But you may not observe
(it is a private sanctuary)
the steady glowing power
that makes a man feel loved,
feel needed, all of time;
yet frees him, king of her
emotions, jockey of her
flesh, to cherish
his own corner
of the cage.
In spite of love
this dream:
to go alone
to where
the fishing boats are empty
on the beach
and no one knows
which man is
father, husband, victim,
king, the master of one cage.
LOVE IS
a giving
& a measured taking
amputation
re-creating
everlasting
interface
a prison
& an open space
a teasing glimpse
of holy grail
a generator
that can fail
the naked jugular
the knife
the torsion
balance in my life
NORTH COAST HOTEL
the lovely pregnant lady
leaning on the disco bar
lets dancehall flow
through her
an elegant
black patrician
breaking out
before her man
a chunky brother
decorously sipping wine
while she is moving
like a native to the bass
teaching the child
dancehall
FOR A SON
Watching you swell
your mother’s womb, only a crude
connection seemed to make itself.
Watching your mother swell, with having you,
taught tenderness, for she
while growing you was all my care,
happy as she rounded.
Even alive and howling clear
you seemed a thing your mother had.
But you yourself I learnt
could make me feel – maybe your laugh,
that warm primordial gurgle, did it:
your personal self enjoined my love,
tying our lives as with the living cord.
Be strong my bond and my release
from time. Be tall, stretch separate; and know
the love you’ve nourished though you may not care.
LITTLE BOY CRYING
 
; Your mouth contorting in brief spite and hurt,
your laughter metamorphosed into howls,
your frame so recently relaxed now tight
with three-year-old frustration, your bright eyes
swimming tears, splashing your bare feet,
you stand there angling for a moment’s hint
of guilt or sorrow for the quick slap struck.
The ogre towers above you, that grim giant,